Cooperative physics-based sumo-soccer.
A videogame about friendship and wrestling.
Push Me Pull You is a 2v2 sports game where you and your partner control the two heads of a single elongated body. Coordinate to wrestle the other sports-monster for control of the ball.
The Sportsfriends collection released on Playstation in Australia today!
The creators of these four games are our patron saints of local multiplayer and they have a special place in our hearts.
The four of us first started hanging out as a group in 2013 as an excuse to play Hokra once a week, and our experiences with these games - laughing, shouting, taking them way too seriously - led to us trying to make our own. We’ve used all four games regularly as reference points in our design discussions, and it’s crazy to see them finally released.
So please, go and play some of our favorite videogames ever.
This is a little guide on how to play PMPY well. Most of these techniques you should be able to figure out yourself given enough time, but if you want to dive right in (or bring someone else up to your competitive level) this is a good place to start.
The Basics:
Push Me Pull You is all about possession. If you read nothing else in this guide, remember this:
You almost always want to be on the inside, close to the ball, with your head doing the pushing. You want to avoid wrapping around the other team and trying to pull them with your body, because your body is weaker than your heads.
There are subtleties and exceptions to this rule, but that is probably the single best piece of advice you can learn as a new player.
A typical game of PMPY is simple enough. Once you have the ball, you want to get yourself in the best position to defend it, and fend off the opposing team. If you’re attacking, you want to subvert the other team’s hold on the ball, and either take it from them, or find a way to manipulate them into doing your work for you. Here’s how:
Once we’d designed the characters of Push
Me Pull You, we had to find places for them to play. As far as we were
concerned, these were normal people, just like you and me - they just
happened to be joined together at the waist by a long flesh-tube (you
know, like normal).
So when it came to designing the environments
for our characters to play in, I wanted to create spaces that reflected
our own experiences of playing sport. Most sports games present
professional-level play, using the familiar visual language of TV
broadcast to put the player in a role that’s part-passive-spectator,
part-active-player. There’s a power-fantasy element to this I think -
“It’s like I’m watching my favourite sport on TV, but I’m also in control.”
We
weren’t (and aren’t) really interested in that side of sports. None of
us follow professional sports in any meaningful way, so when it came to
giving a context to the invented sport in Push Me Pull You, we were far
more interested in presenting the kind of sports we play, not the ones
we watch.
This
is sport played with friends and family, the people from down the
street, the other kids at the campsite on a summer holiday. The stakes
are low, and although competition can be fierce, you’re ultimately just
playing to have fun with the people around you (this is also one of the
big reasons why we love local-multiplayer videogames).
In a game like Push Me Pull You where a play session is made up of lots of short rounds, you tend to spend a fair bit of time in menus. It might sound tedious, but I think time spent not playing is actually a really important part of the rhythm of round based games. On menu screens you get to have a break, reflect on what you’ve been doing, and talk about what you want do next.
So with PMPY we didn’t want our menus’ design to be an afterthought. We saw them as part of the game itself, and wanted it to feel that way. It took us a while to work out what that actually meant for us. We knew we wanted our menus to feel special, but beyond that our goals were pretty vague.
We wanted to show our characters. The most important thing in our game are the people, and we wanted to show them as much as possible. During development we had a lot of fun drawing them and talked a lot about what they might do in different situations. Any attempt to show them raised a lot of interesting questions (what sort of things do they carry around? Could they use a ladder?) and then menus seemed like a good place to explore these ideas.
The long bodies seemed like a good way to tie things together. We wanted to find a way to represent the progression through the menu screens physically, using the our characters’ long bodies. A big inspiration here was Mini Metro’s train track menus. In that game, each path through the menu is shown as a train line, and choices are represented as stations along the way. I really like the way that this fits in with the look and theme of the game, and also serves to give each screen context and help navigation.
We felt like our characters’ big bodies could do something similar, and make a winding path that physically drew the menu’s progression.
UI World!
So putting these together, we decided to lay our menus out on one big plane, using our characters’ bodies as the links between them. Each scene would have lots of bodies going off screen, and when it was time to go to the next menu, the camera would follow one off to the next scene where their partner would be waiting.
An early draft of our main menu screen. Each body joins up with a corresponding submenu.
As a consequence, this meant most of our menu screens would exist in a single contiguous space. Internally we started calling this space “UI World”.
PMPY has been out for a week! It’s a little scary to watch our labour of love go out into the world to be played by people we’ve never even met.
Some of those people are members of the press, and luckily, a whole
bunch of them seem to like the game, and have even said so in public!
Here are some of our favourites:
We met up with Jess Joho from Killscreen at GDC,
and had a great time talking about all the things we love about PMPY,
from designing for accessibility, to making gross sound effects, and
even what it might be like to be attached to your grandma for your whole
life.
Megan Farokhmanesh and Allegra Frank from Polygon teamed up (how appropriate) to review PMPY, and gave it a score of 8.5! We were thrilled that they called PMPY “one of the most fast-paced, unique and entertaining additions to the genre”.
We were so pleased to read that Lizzie Finnegan from The Escapist
spent Mothers Day playing PMPY with her kids! The thought of an entire
family playing PMPY together makes me so so so happy, and to hear that
“from youngest to oldest, [they] all enjoyed the hell out of it” makes
it even better.
Tim Poon over at Platform Nation
had a really interesting take on the role of unspoken cooperation that
is needed to succeed at PMPY - something that we generally take for
granted because this sort of instinct and intuition has become second
nature for us. It’s especially rewarding to see someone ‘get’ an element
of your game that you hadn’t ever put into words yourself.
PMPY’s been featured in a whole bunch of streams - PewDiePie, Polygon, Kotaku, Giantbomb, Achievement Hunter and many more! We’ve curated a playlist of the best ones over on the House House Youtube Channel.
One of the reasons we started out making PMPY (and pretty much the reason we became a close group of friends) was a summer we spent playing the then-alpha versions of the incredible Sportsfriends collection.
Sportsfriends hits on something fundamental - local multiplayer games work well together. Once you’ve got your friends together to have a match, having a roster of games to switch between keeps things interesting. Different people are better at certain games, so rivalries can form over a bunch of different play styles.
Beyond Sportsfriends, here are a few of our other favourites that go well alongside PMPY, for you to play at your next gathering:
Today is the big day! Push Me Pull You is out today on PS4.
It’s arriving alongside another trailer that shows some longer form gameplay, and more of PMPY’s lovely soundtrack which was composed, performed, recorded and mixed by the incredible Dan Golding.
We want to take this opportunity to answer all your questions about the release:
Is it out, like, right now?
Maybe! The releases are staggered a bit throughout different regions, so it depends where you live. If it’s not available yet, it should be really soon.
Yes!
What do I need to play?
For this release, you’ll need a PS4. Push Me Pull You will be coming to computers too, but you’ll have to wait a little longer for that. When it’s ready, the game will be on Windows, Mac and Linux via Steam, Itch.io and Humble.
How many people can play?
2-4 people can play at once, but Push Me Pull You is a great spectator sport, so you can’t really have too many players.
How many controllers do I need?
Push Me Pull You is designed with controller sharing in mind. So you can play with two people per controller if need be.
This means you can play a two player game with a single controller, and only two controllers are needed to play with four players.
In short: at least one for every two players.
Is there an online component?
No, the game is local multiplayer only. Adding online would have forced us to leave behind lots of the things that make the game special (due to both technical and non-technical limitations).
QWOP & Super Pole Riders developer Bennett Foddy does a pretty good job of explaining why online doesn’t necessarily make sense for local multiplayer games in this piece for Polygon.
Can I play with my PS Vita?
If you have a PS4 and a PS Vita you use the Vita as an extra screen + controller via remote play.
This could mean using it as your second controller or playing in another room.
Who can I play with?
The game is relatively easy to learn for non-gamers. So if you can’t meet up for a competitive match in person but still want to play, it might be a good one to try with someone you wouldn’t normally play games with.
When drawing our characters in more complex poses (like we do in the postgame celebration scenes) we quickly ran into a problem - because everything in our game is one flat colour, it’s hard to illustrate depth, especially with something like a character’s body.
This means that every time they’re drawn, characters have to have very clear silhouettes, with no body parts crossing over each other.
Here’s a few sketches showing the development of some of these images. You can see in these (and in most representations of the characters) that the way we get around this problem is to have the characters splaying their arms out wide, which can get awkward when you’re trying to make them do something like play an instrument, or hold a dog.
Generally the longest part of the process of drawing art for our game is just blocking out a pose in a way that makes sense.
We also had plenty more ideas for funny situations we could place the winning and losing teams in after a game - here are a couple of the more high concept ones that didn’t make the cut.
-Stuart
Great news! We’ve finally got a release date! Push Me Pull You is coming out May 3rd on Playstation 4, with a Windows/Mac/Linux release soon to follow.
We’ve put together our best trailer yet to celebrate.
We’re so grateful to everyone who’s been following along with us; we definitely had no idea what we were getting into when we started working on the game a little over two years ago.
We’ll be sure to keep you posted on the computer release, and we’ll have plenty of new little videos and write-ups to put on the blog over the next couple of weeks.
PS: If you live in Sony’s European territories (which includes Australia, like us), you can actually pre-order PMPY right now!
We’ve been a bit quiet lately, working hard on a whole bunch of stuff, and now we’re very excited to tell you about it:
Look at our nice trailer! Jake put together our lovely new trailer. There are all kinds of goodies in there which you might not have seen before, including footage of our new variants, new environments, and perhaps most excitingly, a taste of the new music our friend Dan Golding has made for the game. We’re all really excited about this collaboration, which we’ll talk more about soon.
We’re releasing on PS4! In other huge news, PMPY is officially coming to the PlayStation 4! This is a pretty big get for us as a local-multi, controller based couch game, and we think it will be a great fit. The work of porting the game to PlayStation is already well underway by the very capable League of Geeks (who you might know as the developers of Armello), who, like us, are a Melbourne-based team. You can read more about the PS4 announcement on the official Sony blog.
The best news of all, of course, is that we’re well on track to release PMPY early next year. While it’s not quite finished, we’re well and truly on the home stretch. We’ve been so lucky to get to share PMPY at all the festivals and parties it’s been at so far, and are so looking forward to getting the game into your living rooms.
nodo-chinko